Weekend of SLC Biking Madness

A whole ton 'o fun things are happening on two wheels next weekend. The flyer's a little cryptic, so allow me to explain:

First, 'mini bikes' are kid's bikes. anyone with $5 can get one from the DI and compete, or steal your little brother's. These are useful in the 'Mini Bike Gymkhana' (obstacle course of death) and the U bomb.

After the mini bike gauntlet is the bike porn event. More NSFW info here. This should be uncomfortable and hilarious. I'll be there.

Cap that off with midnight mass, the best damn ride of the month.

The next morning, we would be constructing monster bikes in the freakbike workshop, but we're going to be watching the 337 project get demolished . You'll have to pick your battles there. This is in preparation for the Tallie cat, which is a traditional alley cat on tall bikes/freak bikes. Lots of crashes, lot of blood, sweat, tears.

That evening is the first inaugural blackout hustle, a challenge I wouldn't miss for the world. This fast-paced ride is tireless and aggressive, not for the faint of heart. I bike every day, and I'm expecting to get 'dropped' in short order. But it'll be a blast.

Should shape up to be a pretty marvelous weekend, no? Read More......

Will they really let someone this good be president?

Sorry, I have to gush political again. But it's all so inspiring.

Obama turned potential media fiasco-making on it's head this week, in a public response to critical attacks on his former pastor's radical political views. The situation became highly racialized, which scared the more timid swathes of Joe Public. I'm sure you've heard something about it. You may also have heard snippets of the speech he gave in response last tuesday. In any case, Obama's speech on race is one of the finest political movements of our time. It definitely deserves a listen in its entirety. You can hear the complete version on the SF Gate's blog here.

This speech awakens a part of my brain nostalgic for old scratchy tapes of JFK or Martin Luther King Jr. It seems astonishing that someone who can speak this well can be a real live political option in the 21st century. Obama is not only a thoughtful and stunning orator, he also doesn't politically gloss over hard truths or speak his way around things. This speech is soaring in its optimism and goals for positive change, but at the same time it manages to be chillingly aware of the issues America faces.

I simply cannot believe an american politician had the guts to get up and tackle any problems of race, nevermind openly declare that racial prejudice is misdirected, saying that prejudice "distracted attention from the real culprits of the middle class squeeze -- a corporate culture rife with inside dealing, questionable accounting practices, and short-term greed; a Washington dominated by lobbyists and special interests; economic policies that favor the few over the many."

Da-yum! A presidential hopeful just gave the finger to corporate power! In the same speech that referenced Youtube and set media bullshit-mongering to task! All while casually declaring the war in Iraq as irrevocably wrong. And did I mention it's consistently and believably hopeful?

If you live anywhere with a chance to weigh in this year, for the love of god vote for this man. If you're stuck in a Steak-red state like Utah do whatever you can to further this campaign.

Because if we can't do it now, with someone this good, we're doomed, kid. Read More......

great ad

I've seen this test a number of times but never in this context...

http://www.dothetest.co.uk/ Read More......

The 337 Building is coming down!

Recent release by Adam Price concerning the art project on 337 s. 400e. If you've never seen it, drop by the building and check out the website for an introduction.

All,

Hopefully you will agree with me that this announcement falls under the category of "better late than never." Demolition of the 337 building will occur on April 5, 2008 (a Saturday) between 9 am and 2 pm!!! You are all cordially invited to attend.

I've attached a photo of the new banner that went up on the outside of the building yesterday, advertising both the demolition and the upcoming Art Center show. The banner looks way cooler in person so stop by if you have a chance, and check out some of the new artwork around the building as well.

I'll look forward to seeing you soon.

Adam

This is great news! With the destruction of the building and the upcoming Art Center show artists in SLC will be forced to raise the bar and come up with some brand new insanity for 2008. So come on down for the long-awaited destruction, light a candle and pour a drink for the art gone by. From there we'll kick off the next creative chapter in this here grid. Keep posted for our release of the Project Documentary That will be featured at the Art Center Show. Read More......

new show

I have a new show opening this next gallery stroll...



*EDIT* This show is on the 21st, not the 14th! -Dave Read More......

More amazing political commentary... truly worth your time and inspiring.

***warning: Pro-Obama slant***
Yet another hero has arisen from the Youtube generation. We've gotten past the cat videos, past the Flash-pan flame of Australian Partiers, and moved onto the real stuff. This guy, Derek Ashong, is the 21st century american dream, and I will strive to be like him. To summarize: A typical college student's standing outside a convention being activisty, and someone comes up and starts heckling him with penetrating rude-journalistic questions. His response is incredible:



But even better, Derek later has his say on Youtube, bringing a whole new sublime level to the conversation.



Wow. Things are definitely happening. A sense of hope; non-partisan hope, genuine hope, intellectual hope, for the first time in this bittersweet american tango.

long live the internet generation. Read More......

The Blank Space

Today we're going to talk about who you are.

And as you're reading this on a blog, this is more about you than you might think.

Human identity, for the net-using generation, is a creative and selective process like and unlike other forms of 'art-making' people have historically dabbled in. By art making here, I'm going to be referring to a ton of different human endeavors, which can be encompassed by the idea of PUBLICATION.

We'll start with travel and authoring, and with bicycles. Imagine you're virtually kicking around NYC, checking out BikeSnobNYC's latest post incriminating and deriding fixed-gear culture. Said post picks on fixie rider, architect, and general fashonista John Prolly. Prolly's just started representing his new fixie crew, which means he published a series of photos more or less typified by this one:


Now, there's a whole ton going on here, all of it amazing, most of it covered by Bikesnob in his original post

But my main interest here is that this photo, which is being seen at this very moment by thousands of rabid bicyclists either in or out of a slim subculture, is a great example of identity by authorship. By the power of his image, prolly becomes seen by thousands as the consummate geeky/ironic fixed gear jokester that is either portrayed or satired in this picture. I say either because after a certain level of removal (say logging on from SLC, having never even been to Brooklyn) the icon and the individual become the same. Thus net prolly and real John (Prolly) Watson become one. His publication, through the internet, becomes a version of reality.

WHAT DOES ANY OF THIS HAVE TO DO WITH ANYTHING?
Fairly good question. Prolly, and by extension the larger world of fixed-gear hipsterism, and by larger extension hipsterism in general, which is to say those privileged and savvy and caring enough to use the internet daily in any form (whew!), are actually a very good example of image and culture in general. Because, considering the pictures, Prolly actually rides a real bike in the real world. it just translates so tastily into the aesthetic/authored experience that is the internet. Thus people (you and I) are able to create a reality virtually that enhances and idealizes our real selves.

Much in the same way that the art world is grounded in reality yet unrealistic vis-a-vis the real world. Check it out:

The Guggenheim in Bilbao, an international bastion to western art and culture, has only the most cursory of connections to Spain, let alone the Basque region within which it resides. Better, think of Dubai, UAE, where billions of international dollars are being spent on a cultural and touristic network that not only attempts to erase any sense of local culture, but actually creates its own physical space out of the water:


This is the same country that had little or no urban infrastructure 65 years ago. The money makers of Dubai are using their desert environment as a tabula rasa, much in the same way that Russian Constructivists reduced their visual expression back to the black square, or Futurists wanted to burn down museums and start over. But in the case of Dubai or the Bilbao museum the use of art isn't nearly so progressive or radical. More accurately, art has moved to the international space because it provides a clean white institutional ground from which excitement can be generated and money can be made. This has been the nature of museums since the European Enlightenment.

In our modern context, the blank slate of space, whether digital (Prolly), international (Dubai and Bilbao), or simply f*cking empty (Dubai) has become a ground upon which new capitals of money or just plain excitement can be cultivated. It seems to generate naturally into a pattern of consumption: New artists from Pakistan or Iran travel all around the world, from biennale to biennale, becoming the next hot item, the next $100 million Damien Hirst , while Prolly and his friends inadvertently move a bicycling subculture towards a 'look' that one can buy. None of these artists are at fault, it's simply how we do here in the late capitalistic model.

But here's the thing: just because the blank space gets subsumed into advertising and money doesn't mean it isn't a beautiful and glorious thing for us to play with. Our internet identities are crafted compilations of our interests; in the same way we can connect specifically with ideas and people we like, Bikesnob and Prolly being a great example of this functionality. The attention they can generate specifically towards their subculture can transcend branding and advertising, it can create a common ground for ideas and relationships. Need an example more... important than bicycling? Try Stuff White People Like an anonymous and hilarious blog that pokes fun at yuppie/hipster people in general and racializes the views, creating some great conversation in the comments section. People run up and down eachother's cyber-pages, trying to decypher who's coming from where, and sometimes even make a friend or two. Primarily, it gets people thinking.

So my idea is: extend yourself into that space, learn a lot about the world around you, and make it a little more colorful as you go. Read More......

Actual informed political commentary on the internet!

Got this lovely piece of informed journalism and political awareness sent through to me today, on the grounds that it's downright inspirational. It is a political endorsement of Barack Obama, but even if he's not your candidate of choice give it a listen, because it's actual information about american politics, which is refreshing.


I totally buy the notion that the ability to lead a country dwells deeper than someone's ability to play the political game. We need to be inspired, to be motivated towards a new notion of what America is. I'm beginning to see it in this guy.

The commentary is from Lawence Lessig, a champion of web 2.0 and a great example of a 'nettified public intellectual. Check it check it.

woot America. Read More......

Winter.

How we roll in SLC pt. 1
Originally uploaded by Broken Icarus

One teasing spate of warm weather, bright skies, and clear roads, and back into the cryogenic chamber. Here's hoping your minds are racing even if your bodies are sluggish and recommending hibernation.
Read More......

Friday night is gallery night!

...and you'll find me at:

www.kayogallery.com

Davey Read More......

Meeting Resistance

Something revolutionary is afoot in america.

Picture this: it's a friday night in SLC, it's bitingly cold and the frats are probably buzzing with free booze and racially charged assault cases. In other words, there are plenty of places well-connected students could possibly be.

So showing up at an anti-war film/panel sponsored by the Wasatch Coalition for Peace and Justice should be a pretty standard affair: a dozen well-meaning retirees ashenly milling over issues they've well covered with each other over the last four years of international bloodshed.

And that's how the screening of Meeting Resistance began. I Looked around the audience and was confronted by a mottled sea of wrinkly-grey sincerity. Soon, however, people started trickling in. students, families, professors, hipsters of all ages, arabs, latinos, everyone arrived. And for the first time in my life, I saw an academic theatre in SLC filled with people on a friday night. There was an edge of apprehension and activism in the air.

And what a film. What a film!

Molly Bingham and Steve Connors are two very, very smart war correspondence journalists, who found themselves in Iraq roughly before the capture of Saddam Hussein. Lacking actual media outlets for any stories of objective journalism, they did what any white english-speaking people of eur-american descent would do in their situation: They went out on their own into the heart of angry organizations out for their blood, and sought the truth. In short, they objectively explored the multifaceted and driven world of the Iraqi insurgency, from the mouths of the 'bad guys' themselves.

Somehow, amazingly, these two documentarians not only communicated with extremely angry clandestine warriors and got out alive, but they gathered a wealth of candid and shockingly revealing interviews. They take us into the streets of a specific neighborhood in Baghdad, into teal cafes and smoky shops, ever-punctuating their story with shattering events of incredible violence. It quickly becomes evident throughout their film that —ideologies aside— the Iraqi people have no choice but to fight and rebel against an occupying foreign power. With that simple truth, all the politicized scheming, all the labeling, all the irreconcilable religious truisms that we're used to hearing about Mujahidin fly out of the picture, and the situation seems somehow more solvable.

In a surprising way, Meeting Resistance is a hopeful film, under the condition that we as the occupying power recognize the impossibility of 'winning' a war in Iraq and begin plans for a long and difficult withdrawal. During the Q&A, the filmmakers mapped out several relevant and interesting points about the current Iraqi situation:

1. One aspect of our military strategy is something called 'information operations,' which is basically propaganda imposed by Coalition forces on the occupied people to control their thoughts. In this specific instance, the Iraqi people are informed that their national sentiment towards America is largely one of optimism and thankfulness, and that the people prolonging the war are bad fringe groups, foreign freedom fighters, islamic fundamentalists, people who do not represent the popular feelings. According to Mr. Connors, the idea that Iraq isn't unified against invaders is a myth. The insurgents support this claim, basically saying 'I have no need for ideology, for politics, I must simply fight these invaders in my country. If they leave my duty is fulfilled." The motivation is separate from all the reasons we were fed for going to war in the first place. The filmmakers contend that instead of this information hitting home with the Iraqi people, who know their own country better than we do, American people become the consumers of this propagandistic claim. So we, uninformed, at home, believe that all these irreconcilable sects exist that will blow each other to pieces as soon as we leave.

2. Which isn't necessarily to say there won't be violence when American troops withdraw. We attempt to live in this fantasy world where war doesn't have far-reaching effects. The world reels for decades after such catastrophes, if nothing else the art world tells us this. Look at the art of Binh Danh, who still uses the Cambodian Genocide or the Vietnam War as a touchstone in his work, or the trauma of WW1 creating the Dada movement. War does not go away easily, our generation will be living with this mark on our history for the rest of our lives. We have to own up to our mistakes and move forward. According to Ms. Bingham, Iraq is perfectly capable of governing itself, evidenced in the country's upstartishness in drafting the Code of Hammurabi way, way before we knew how to rig diebold voting machines.

3. The notion of 'winning' or 'losing' is very 19th century. The only way to 'win' this war would be to commit genocide, which fortunately isn't the only option.

Basically, I'm excited and proud to have met filmmakers like Molly Bingham and Steve Connors, who have a puritanical sense of journalism. They strive to understand conflict from all sides of the issue, regardless of where in the world it is happening. It is crucial to remember that you don't understand conflict by having someone describe their enemy. Things will always be more nuanced. But if a theatre full of people on a friday night in a sleepy little mormon town can take the time to examine that nuance, the future doesn't seem so bleak.

Check out the movie's website for more information, and here are various clips Read More......

The Temporal Foot

Thoughts after watching Baraka, from my journal last November:

After watching Baraka I continued my thoughts on the perception of time. I have long considered that humans perceive time at a relitivly consistant 'rate'. The idea here is that we evolved to perceive time in relationship to our body. The foot was used as a system of measurment based on the human body, and so the idea of a temporal foot can be used as a system of measurement for time.

Lets do a thought experiment: Lets say your perception of time was 10 times faster. The world would apear in slow motion. You would be constantly waiting for things to happen. Waiting for your arm to move. Or lets say it was 10 times slower. The world would be in time lapse. Everyone would blur around you. You would be constantly trying to keep up. The point here is that we perceive time based on our anatomy, the wiring of our brains, the time it takes for the signal to travel from your brain to the tip of your finger.

Look at a fly. They are irritating because they are so quick. Whenever you try to snatch one up they are gone. This is because their perception of time is so much faster. Of course, they view their own rate as normal, but to them we seem like huge slow monsters who are all too easy to avoid. There are is one reason for their perception of time, their anatomy. Their neural connections in their brain are a thousands of times closer. They can look at our slow approaching hand, predict it's trajectory and avoid it faster than we can even 'see' that they have moved. Their temporal foot is far smaller than ours. In addition to this their brains are a lot simpler, they bypass the troublesome consiousness and rely directly on instinct.

You can change your perception of time. You just need to play a FPS where you can cheat to speed up or slow down the gameplay. Your brain aclimatizes to the change, and when you revert back things are frustratingly fast, or irritatingly slow.

Consider the dream state, one in which we are not tied to the neural network of our body. We can dream hours in the space of minutes (http://uanews.org/node/17028). It would be possible to exist for life-times in a virtual world with a direct brain interface.

My main point here is to outline the differences of perception between systems. A fly, a cat, a human, a house, a city, a world. Each percieve time in relationship to their size, and the movement of their component parts.

next week: Thoughts on Scale Read More......